
Sonja Hinrichsen has crafted a glorious hillside of walk-drawn marks.
Steamboat Aerials has captured this series aloft - be sure to watch the video at the bottom as well.
What makes drawing an essential creative practice? What are the boundaries of drawing as envisioned by artists? Critics? Art historians? Where does drawing intersect with theory, and what are the possibilities therein? D:S:K takes up issues around contemporary drawing practice by bringing together images, references, articles and insights regarding what it means to draw.

It seems to come up at least once a year, more often when I'm looking and listening more closely, this explicit connection between the danced and drawn mark. The latest on the radar is Dance/Draw at the ICA in Boston. Positing the connection of the body, mark, and space, this exhibition points to how bodily expression carries across mediums, taking us from the 1960s onward.
Thank you, Craig Crossley, for sharing these gorgeous bits of cut line work, executed on leaves. See more at Lorenzo Duran's website.
I had the extreme pleasure of spending a month this summer at DRAW International, a residency centre dedicated to intensive drawing practice and research. Located in Caylus, a small medieval village in southwest France, the centre is run by John and Grete McNorton, two artists and educators who understand the value of experimentation and sustained focus in the studio.